Reading & Leeds 2014

Undoubtedly amongst the best festivals in the world, Reading & Leeds 2014 have just finished, and they were spectacular. Headlined by Arctic Monkeys, Blink-182, Queens of the Stone Age and Paramore, we had a few writers at Leeds who each had a different view on their favourite acts. Here are our picks of the best of the weekend, in no particular order:

Bombay Bicycle Club
London based indie-rock band BBC headlined the NME/Radio 1 stage on the Saturday of Reading and Sunday of Leeds. The band, led by angelically voiced frontman Jack Steadman, had the crowd in the palm of their hands for the entire set. The light and picture show going on behind them only exaggerated the brilliance of what was, for me, possibly the best performance I saw all weekend. Everyone lost their shit at What If, and songs like Lights Out, Words Gone and How Can You Swallow So Much Sleep prompted huge singalongs from the loved up crowd. I was a fan before, but they went so far above any expectations I had and absolutely blew me away.  - Molly 

The Hives

The Hives. Photo: Giles Smith

As soon as Peace left the main stage on the Sunday at Leeds, huge white letters spelling 'HIVES' took their place, forming the most part of the Swedish band's incredibly cool backdrop. The backdrop suited them well as they are an incredibly cool band, not least deservedly cocky frontman Howlin' Pelle Almqvist. Dressed to match the rest of the band, he swaggered and jumped about the stage, howling (hence his name) at the audience to "Cheer! We deserve more applause than that!". During the now famous freeze-frame bit of Tick Tick Boom, he spent around five minutes introducing the band and then went into the crowd to get us all to sit down, in preparation of going mental for the last part of the song. "If you're still stood up I'll come out there and make you sit down!" he commanded, and his adoring crowd obeyed. They finished with Hate To Say I Told You So, and as we showed our appreciation, Almqvist yelled proudly, "I know you're cheering in part because I've told you to, but the other part is because you fucking love me!". He wasn't wrong. - Molly

Baby Strange
Following their support slot on Palma Violets' Rattlesnake Rodeo tour last November, Glaswegian three-piece Baby Strange have built up a loyal following, and it certainly showed in Leeds; their fairly large crowd seemed to be loving every blast of punk rock they were showered with. After an extremely well performed and received cover of the Talking Heads' Psycho Killer, they expressed their wish to play "a couple more songs" which "are really short, only about two minutes each" but they were denied it, resulting in much booing from the crowd (including me), eager for more. However, the booing did turn to applause as the band left the stage - what we got from them was fantastic, and I know we'll be seeing much more of Baby Strange in the near future. - Molly

The Wytches
Filling an opening slot on the NME stage on Friday at Leeds festival, Brighton three piece The Wytches had a tough job. Their unique brand of "surf doom" could easily have fallen flat, with their heavily distorted guitar and piercing screams not being the usual fodder for this stage. However, they certainly impressed, filling their short set with pit-worthy anthems from their debut album Annabel Dream Reader. The standout moment for me was their opening song- Burn Out The Bruise, showcasing their Bleach-esque style and ability to write and perform a seriously heavy yet catchy chorus. - Benny

Mongol Horde. Photo: Giles Smith

Mongol Horde
Frank Turner's hardcore project Mongol Horde aren't what you'd call radio friendly, and of course in their sub-headline slot on Leeds' Lock Up stage, they didn't alter this one bit. Their music is effectively a massive "fuck you" to basically everything ever, full of genuine humour and brought together by Turner's deafening roar. Their set consisted of twelve songs from their self titled LP released this year, bringing huge circle pits to the adrenaline (and whatever else) fuelled crowd, with Frank frequently being hoisted in the air by adoring fans. A band which has a song about Natalie Portman's tapeworm forming a republic clearly doesn't take themselves too seriously, so they clearly don't give a shit what I think. All the same they were definitely a highlight of the weekend. - Benny

Queens Of The Stone Age
Possibly the best stadium rock band currently touring, Queens Of The Stone Age destroyed this years' Leeds festival, which isn't surprising as their latest album Like Clockwork is amongst their best. New songs such as Fairweather Friends and If I Had a Tail sat comfortably among their old classic songs from Songs For The Deaf and Rated R, with godlike frontman Josh Homme delivering them with his trademark swagger. Ending on the near satanic Song For The Dead, this band seem as good today as they've always been, and look unwilling to stop. My only criticism (and no fault of the band) is their short set, caused as a result of their headline slot being shared with the simply cringeworthy pop-punk of Paramore.  All in all however, Queens shone; their catchy desert rock being my personal highlight of the festival. - Benny

Peace
After standing through Dry The River (a very good folk band) Peace took to the main stage. I'd headed down early to get a good spot - I was in an alright place, quite far left of stage left. The crowd was pretty chilled out throughout their set. Each member walked on one at a time, starting with Dom who started playing a drum line, followed by Sam with a bass line, then Doug with some chords and finally Harrison. They burst into 'Lovesick' their last single from debut album 'In Love' and I must say it's a crowd pleaser. The band continued to play through some older album and EP tracks including 'Float Forever' and 'California Daze'. The guys didn't fail to impress with new songs 'Money' and 'Lost On Me' and they, as they have been recently, replaced '1998' with rap track 'World Pleasure', but who can complain when there's a groovy bass solo? No one. This was my fourth time seeing Peace and I've never been so proud of them; seeing them play on the main stage made my festival. - Laura

Wolf Alice

Wolf Alice. Photo: Victor Frankowski

When Wolf Alice took to the stage in the Festival Republic tent on the Sunday of Leeds festival, they did so in matching white outfits. I must say I was surprised; that was one thing I was never expecting a young indie rock group to do. As always, they didn't fail to impress. Ellie's vocals blew me away; how she can go from singing a quiet slow song such as 'Blush' to having loud, wild vocals in 'She' amazes me. At one point Ellie and Theo started doing their swaying side to side type dance while they played a solo together, and this always manages to make me smile. The band played through well known EP tracks and followed these up with a couple of new tracks, closing with a sped up version of 'Fluffy' as they were about to get pulled off stage. - Laura

Superfood
These guys were one of my favourite acts of the festival. After chatting to frontman Dom Ganderton (he remembered me from a few months back and gave me a slighty wobbly, possibly drunken hug), they played the BBC Introducing stage on the Thursday night. This, like Peace, was my fourth time seeing them, and they really did blow me away. It was nice to be surrounded by hundreds of people there to see them and being in a Superfood-loving crowd was incredible. The band played well knows tracks 'Melting', 'Bubbles' and 'Right On Satellite', a couple of album songs and finished with debut song 'Superfood'. Superfood really never fail to put on a good show. - Laura

Feel free to comment with your favourite acts of the weekend! 

Review: So Long, See You Tomorrow - Bombay Bicycle Club

9/10

It had been three years since A Different Kind of Fix and fans were starting to become restless. The creators of the album had kept a low profile for most of these three years, until, one day, a new album was announced. Those fans were restless no more. 

Bombay Bicycle Club's fourth album came out earlier this week and being a die-hard Bombay fan, I found it quite hard to fault. I have to admit, I did feel quite impatient during the three year gap between Bombay's third and fourth albums. This may come across as biased, seeing as I am a huge BBC fan, but, So Long, See You Tomorrow, was 100% worth the wait and one of the best albums of 2014 (so far). It is absolutely stunning, sounds very different to the previous Bombay sound but makes me feel so special, as if the band were holding a private gig in my front room. 
I'd heard that the whole album was inspired by Jack Steadman's travels, so I was unsure of what to expect. I was pleasantly surprised. 

The first track, Overdone, feels like a song that you would wake up to, to then find yourself in a heaven-like paradise. There are violins, clarinets, and many other orchestral instruments which would be amazing to see live. It flows so well into It's Alright Now, a song that you can imagine slightly drunk hippies dancing away to in the middle of a field (in the best way possible of course). Carry Me is next which really doesn't need explaining. IT'S SUCH A GOOD SONG. I found myself singing the riff on the tube the other day and someone opposite acknowledged the song and we smiled for one short moment. Home by Now is the song where Jack Steadman could have reached a traditional town in Sweden during his travels. It's so happy and carefree. You could say that Luna is the United States of the album. It sounds hopeful, powerful and inspiring and has a good walking pace, so could be quite encouraging.  Come To is one of my favourites on the album. Like many second-before-last tracks, it's the calming down song, a preparation for the last final phenomenon. The final song does sadly, eventually arrive and what a way to end a fantastic album! So Long, See You Tomorrow is a six minute extravaganza of every sound on the album (and perhaps even their previous albums) put together. Obviously, it is a great extravaganza and by the time it is all finished, it shall make you realise how good Bombay Bicycle Club actually are. I hope you had realised that before. 

-Amy

Bombay Bicycle Club - Carry Me

Bombay Bicycle Club - Carry Me

Unveiled last Monday 4th November as Zane Lowe’s ‘hottest record’, Bombay Bicycle Club’s new single ‘Carry Me’ is the first to emerge from the band’s fourth album - due out 3rd February 2014. 

The track displays how the band has evolved  from previous albums – there’s no hint of soft folk-like second album ‘Flaws’ nor the jangly basslines of 2011’s ‘A Different Kind Of Fix’ to be heard. Instead we’re presented with something with more of a dance-like tone; something less guitar-based. However, the band has still managed to evoke the dream-like quality that has been a recurring motif throughout their work through the repetitive and drifting vocals. Another familiar element to ‘Carry Me’ is the swirling backing vocals from Lucy Rose, a friend of the band who is set to feature on five tracks from the new album as she has done so before.

We must not forget the sound of ‘Carry Me’ is not entirely new – the more upbeat feel is reminiscent of single ‘Shuffle’, whilst the migration to a more electronically sounding track featuring synthesisers and samplers has already been displayed in some of frontman Jack Steadman’s solo work, such as track ‘Travelling Song’.  

In recent interviews the band has detailed Indian influences on the new record, hinting at paying homage to their name through samples of Bollywood music, inspired by a trip to India in 2012. If this news along with the infectious and exciting new single is anything to go by we are in for a treat – and perhaps something new to what we've previously heard from the London quartet. 

'Carry Me' is available to purchase now, or to watch interactively at carryme.tv

Written by Amelia Holloway
@ameliazsz